Brace yourself for Paul Tran's stunning film poem, #1 Beauty Salon, published by Cura*. "So when the day comes / and this empire collapses / onto its knees, spooling / in a pool of its own / blood, we will be ready / to make you all so beautiful."
A very smart critique of the Burka Avenger's burka. "[T]he show displaces the myriad meanings attributed to the burka by women who wear it (burka-as-piety, burka-as-dress code, burka-as-fashion) and plays on fears of the burka as a tool for the concealment of mysterious sinister identities.
I love the work of Iranian designer Farnaz Abdoli whose elegant and graphic clothes subvert the visibility controls placed on women's bodies by the government. This 2013 profile reveals her as a thoughtful, down-to-earth artist. I also love the clothes for themselves and if wishes were unicorns, I would be wearing this gorgeous teal shawl.
However, I also feel uneasy with simplistic articles lauding the "Western" "fashion revolution" in Iran and setting it up as an antithesis to the chador and oppression and Islam. Here's a brilliant critique that analyzes this particular hype. "This kind of fascination with Iranian women and their sense of dress, however, obscures the complexities surrounding how Iranian women actually practice the mandatory veil."
How did Italian fashion become so glamorous? The Victoria and Albert Museum wants to know.
*Full disclosure: Laundry has a crush on Cura.
Read Mic Nguyen's essay in Hyphen magazine. "Clothing choices got me attention, sometimes good, sometimes bad, but to me it didn't matter -- I had already won because I was seen."
Nail polish is now a medium of art.
Arabic calligraphy takes on new forms in contemporary tattoos.
Where do fashion trends originate? "The most fashionable museum in New York City" wants to know.